ΣΧΟΛΗ ΑΡΧΙΤΕΚΤΟΝΩΝ Ε.Μ.Π, 2014-15,
9ο ΕΞΑΜΗΝΟ ΑΡΧΙΤΕΚΤΟΝΙΚΟΣ ΣΧΕΔΙΑΣΜΟΣ 9
Διδακτική Ομάδα: Αριάδνη Βοζάνη, Ανδρέας Κούρκουλας, Θάνος Παγώνης
Επικουρικό Διδακτικό Έργο: Στεργία Σαραντοπούλου, Αντώνης Χαζάπης
Εξωτερική Συνεργάτις: Μυρτώ Κιούρτη


"It is Orson Welles's The Lady from Shanghai, a movie in which, in spite of the title, China never appears, but is referred to as a distant and mysterious reality - cliches within cliches. At the end of the movie, the images of the main characters are reflected by a myriad of mirrors, making it impossible not only for the spectator, but also for the characters themselves, to distinguish what is reality from what are mere reflections. The observer, after being exposed to so many contrasting realities, cannot help but wonder which, if any, is the ‘real’ China, and how many of the images will be shattered and smashed into pieces by the hard reality of a history still to be written.”




Monday, October 27, 2014

Ruano Miguel, “Urban impressions”, Instant China

http://www.buchfreund.de/covers/12879/121462.jpg 
http://www.buchfreund.de/covers/12879/121462.jpg


Ruano Miguel, 1999, “Urban impressions”, Instant China, Notes on an urban transformation, 2G International Architecture Review, N.10, 1999/II, pp.14-27

Clichés are difficult to avoid with China. Nearly all books and articles on the country begin by referring to its vast size, its enormous population, its arcane culture, its turbulent jistory, its striking contrasts. And yet even for the casual visitor it is impossible to escape such ever-present realities.

The first impression is, inevitably, of hugeness.
…China is most certainly a country of contrasts and unbalances. But, even more importantly, it is a largely unknown country.

A powerful sensation of barely controlled chaos pervades the urban atmosphere of the Chinese city. Everything actually works, even if it looks as though it will not, much as a self-organized magma exemplifies the postulates of Chaos Theory.
 

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